THIRD TIME'S THE CHARM TOUR
Oct 22 - ST. JOHN'S (NL) - The Rock House** SOLD OUT
Oct 26 - SACKVILLE (NB) - CHMA Live Session**
Oct 28 - HALIFAX (NS) - The Carleton** - SOLD OUT
Nov 3 - NEWCASTLE - Cumberland Arms* - TICKETS
Nov 4 - ORMSKIRK - The Chapel Gallery* - TICKETS
Nov 5 - LIVERPOOL - Outpost* - TICKETS
Nov 6 - HEBDEN BRIDGE - The Trades Club* - SOLD OUT
Nov 8 - NOTTINGHAM - The Chameleon* - SOLD OUT
Nov 9 - SHEFFIELD - The Dorothy Pax* - TICKETS
Nov 10 - SHEFFIELD - The Dorothy Pax* - TICKETS
Nov 13 - RAMSGATE - Ramsgate Music Hall* - SOLD OUT
Nov 14 - LONDON - The Lexington* - SOLD OUT
Nov 19 - AALBORG - Studenterhuset - TICKETS
Nov 20 - KIEL - hansa48** - TICKETS
Nov 25 - SCHAFFHAUSEN - TabTap** - TICKETS
Nov 26 - SCHORNDORF - Manufaktur** - TICKETS
Nov 27 - MUNICH - Glockenbachwerkstatt** - CANCELLED (COV19)
*w/ Paper Beat Scissors
**w/ Kelly McMichael
*** Ariel & Mathias duo show
To see an archive of all previous tour dates, see the GIG ARCHIVE page.
the burning hell
In 2007, Mathias Kom collected some of his many songs and started a band, named after a religious tract handed to him by a wide-eyed zealot in Toronto. Mathias subsequently invited all of his friends to join him in performing these songs about seagulls, shopping malls, and the similarities between love and hurricanes. Ballooning to touring parties of a dozen musicians, and local gigs where the band spilled onto the dance floor and the dance floor spilled onto the stage, the Burning Hell released three records in quick succession: Tick Tock (2007), Happy Birthday (2008), and Baby (2009).
By 2010 members of this early iteration of the band were hanging up their banjoleles, omnichords, and accordions to pursue solo careers, businesses and parenthood, and Mathias relocated to St. John's,
the essence of the band is inclusive and celebratory; whether on stage or on record, there's something for everyone. As Tom Robinson of BBC Introducing said about The Burning Hell, "even Jesus is going to enjoy this, once he finally gets here."
Newfoundland. There, the band was reborn with brass, sax, and violin for 2011's Flux Capacitor, a record about nostalgia, potential failures and regrets, and possible futures, including Kom's autobiographical manifesto, "My Name is Mathias." The Burning Hell began embarking on exhaustive tours of Europe, where the band name was finally more help than hindrance as they were enthusiastically booked into the metal clubs of Latvia and Lithuania.
A five-piece lineup had emerged by 2012 to record People in Berlin, Germany. A hooky, wordy, joyous indie-rock record, People was released the following year, receiving critical accolades from the mainstream music press, and spinning in frequent rotation on BBC 6 Music. The band followed up in 2016 with Public Library, where Mathias leaned into his preternatural ability with language to craft distorted storytelling epics, with dazzlingly speedy wordplay and wild and rollicking guitars. Tales of killer priests tracking down escaping lovers and misunderstood celebrities jetting into space rub elbows with the story of Kom's first visit to the record store and a true story of a tour van breakdown in Yorkshire.
Throughout this period, Kom and his partner and collaborator, multi-instrumentalist Ariel Sharratt, began embarking on occasional duo tours, producing an album of duets in 2015 titled Don't Believe the Hyperreal. This record marked the first appearance of "Fuck the Government, I Love You", a story of a couple meeting at a New Year's party featuring a wildly popular and cathartic singalong chorus. In 2017, with a new three-piece lineup, The Burning Hell released the garage-folk Revival Beach, which finds Mathias investigating the coming apocalypse.
Over a varied musical career, The Burning Hell have often remained idiosyncratic and unclassifiable, much to the delight of those who love them. Although musical style and influence differs from record to record, and song to song, the constant has always remained Kom's singular outlook on the world: wise and naive, cynical and life-affirming, full of brilliant, unexpected narratives and a deeply felt generosity of spirit. The band's live performances underscore these themes: they exhibit a joy and camaraderie too infrequently seen on stage. Indeed, the essence of the band is inclusive and celebratory; whether on stage or on record, there's something for everyone. As Tom Robinson of BBC Introducing said about The Burning Hell, "even Jesus is going to enjoy this, once he finally gets here."
REVIVAL BEACH (2017)
PUBLIC LIBRARY (2016)
For more information on The Burning Hell's music, including full lyrics, music videos, and a complete listing of all releases, please see the DISCOGRAPHY page.